Millie, our one woman filmic powerhouse, has been working on a third edit of ‘Milk’, and I have been there to advise and offer input.
One clear new direction was the involvement of a new composer and sound director who reached out via a mass email looking for projects to work on. I met Guillermo, showed him the film as it stood and we discussed where we wanted to go from here and what was needed to be done.
Yesterday, he came back with his first edit (not yet finished). It was fantastic – a huge elevation in the overall tone and storytelling potential of the film. Through music composition, some foley, new overlaid ambient sound and a few other tricks, the film now stands on a whole new level.
There is still work to be done, and I’m meeting him this afternoon to give him some notes, however they are really minor tweaks here and there – with the exception of the long conversation (scene 6); I think it’s missing something that I just can’t put my finger on.